At LEAST it’s Not Just Me: Someone Else Notices the Obvious Problem with Flicks Like “The Help”

At LEAST it’s Not Just Me: Someone Else Notices the Obvious Problem with Flicks Like “The Help”

I stand by my previous statement. THIS would have been a better battle to have fought. “Red Tails” is a memory, while “The Help” is making $200+ on the backs of black women’s stereotypes as mammies.

Author : Christelyn Karazin

Author's Website | Articles from

I stand by my previous statement. THIS would have been a better battle to have fought. “Red Tails” is a memory, while “The Help” is making $200+ MILLION on the backs of black women’s stereotypes as mammies.

Looks like I’m not the only one who sees the problem with this:

Visit msnbc.com for breaking news, world news, and news about the economy

But hell. What do I know? I’m just a “”bunny-boiling PR pro.” But this “pro” knows from experience what messages have a more pervasive and destructive effect.

…Now I’m going off my soap box to have some bunny soup.

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nyaw 189 pts

"The Help" Shows a time period of the past that we must not forget, but how could a black woman come up and persevere in a different way. I guess people forgot "The Dream" what stereotypes did that portray and Jennifer Hudon winning. I am not disagreeing with what you are saying. However look at the women in that category nominated. All the women showed courage and strength, all in a different way. There are many good movie to come where black women are in high positions and do something great, I hope Jennifer Hudson does the Mandela movie!  

socialitedreams 154 pts

doesn't have to be an either or situation.  can talk about the ratchetness of being erased from history in ONE movie and ALSO talk about the mammified portrayals that we are still being offered in 2011 just like in 1933. 

cns 705 pts

Is begin a maid considered a negative occupation? What about a server in a restaurent? Should people in these jobs be treated with respect? If your ancestors from this era were resurrected would they proud of those who are ashamed of them? If any could afford a maid would you hire one? If the person was very good a their job would you value them? Would it matter their race? I have enjoyed working in service industries were I have dealt with people who have be rude to me because I was in a subservant position. This dialogue is reminding of such bad experiences.I guess if you don't have a fancy job and/or a husband with fancy job I guess you are not worthy. This is what this feels like.

Betty Boo 259 pts

@CNS I think you are missing the point  in all sincereity. No one is saying being a maid is a negative occupation, what IS being said is why in 2012 are the the roles that are still being offered to black actresses as PRIME MEATY roles? There is so much more to black women than being a mammy/maid/Abuser. There is a place for that  but does that always have to be the roles we are  "rewarded" for? Compare the black women who have won in comparison to some of the role white actresses (With the exception of Jennifer Hudsons Role).

 

Whoopi Goldberg  (Supporting Acctress,Ghost) her role? a a convicted felon pretending to be a clairvoyant

 

Halle Berry (Best Actress, Monsters Ball) A broke single mom who was abusive to her son  who did sex scenes that were so graphic it almost go an "X" rating

 

Monique (Supporting actress,Precious) An abusive mother who allows her daughter to be raped by her father.

 

Hattie McDaniel (Supporting actress, Gone with the wind) The maid/mammy

 

 

Julia Roberts (Best actress, Erin Brockovitch) A single  mother who becomes the HERO of people being poisoned by a major corporation

 

Meryl Streep (Best Actress, Iron lady)  The Prime Minister of England

 

Helen Murrien (Best Actess, THe Queen)  Queen Elizabeth

 

Reese Witherspoon (Best Actress, Walk the Line) June Carter Cash, wife of Johnny Cash

 

I reveiwed the Best Actress winners From 1990-2012 and the women who won played a diversity of roles  From a female boxer who was dying (Hiliary Swank, Million dollar baby) To a derranged fan (Kathy Bates, Misery) but the majority of  the roles played put the actresses in an empowering or HEROIC position.  Black women are NEVER portrayed as the  HEORES not a a real sense and there are plenty  of examples to draw from or CREATE, but  no we are not granted the same range of diversity as white actresses and there is a reason for this, They want to keep the world viewing us in a subservient postion even the black actors have had more honorable roles than black women :Denzel Washington (Supporting Actor, Glory) A Civil War solider  (Yes  he won for Training day, but he played a crooked cop)

 

Jaime Foxx (Best actor, Ray)  Ray Charles

 

Sidney Potier (Best Actor, Lillies of the Field) A Handyman who hels a group of german nuns build a church 

 

Morgan Freeman (Supporting actor, Million dollar baby)  Boxing Trainer who helps a dying boxer.

 

So  NO my dear this is not about not respecting  people  in domestic  position, this is about actresses in the 21st centruy still having to play the maid. I do not think  that our People  that marched during the civil rights era got abused and killed  so that 50 YEARS LATER we are still in the freakin kitchen or abusing our children and getting oscars for it.

 

 

NATruthstudent 1508 pts

 Betty Boo  CNS

 

BW in award-winning and nominated roles leading and supporting roles from 1985 to present, not including roles of maids, abusers, or prostitutes:

 

Angela Bassett: "What's Love Got To Do With It?": Golden Globe, Best      Actress; Academy Award, Best Actress (nominated) (1994)

     "Strange Days": Saturn Award, Best Actress (1996)

 

Whoopie Goldberg: "The Color Purple": Golden Globe, Best Actress (1985)            "Sister Act": American Comedy Award, Funniest Actress in a Motion Picture;      Golden Globe, Best Actress (1992)

     "Star Trek Generations":  Saturn Award, Best Supporting Actress          (1994)        "Sister Act 2": MTV Movie Award, Best Comedic Performance (1993)

     "How Stella Got Her Groove Back":  American Comedy Award, Funniest       Supporting Actress in a Motion Picture  (1998)

     Goldberg is one of few to win an Oscar, a Grammy, a Tony, and an         Emmy.

Gabourey Sidibe:  "Precious": Academy Award, Best Actress; Youngest      black actress to be nominated in this category; (2009) 

     Also:

     Second film to feature black nominees for both Best Actress and          Best Supporting Actress;

     Second black actress to receive a lead Academy Award nomination for      a debut film performance.

     Women's Film Critics Circle Award for Best Young Actress

     Nominated – Alliance of Woman Film Journalists Award for Best            Actress

     Nominated – Golden Globe Award for Best Actress – Motion Picture         Drama

     Nominated – MTV Movie Award for Best Breakout Star

     Nominated – Screen Actors Guild Award for Outstanding Performance        by a Female Actor in a Leading Role

Viola Davis: "Doubt": Academy Award, Best Supporting Actress      (nominated); Critic's Choice Award, Best Supporting Actress      (nominated) (2008)

 

Taraji P. Henson: "The Curious Case of Benjamin Button":  Academy           Award, Best Supporting Actress (2008)

Jennifer Hudson: "Dreamgirls": Academy Award, Best Supporting Actress      (nominated) (2007)

Margaret Avery, Oprah Winfrey: "The Color Purple": Academy Award, Best      Supporting Actress (nominated) (1985) 

     Second time that multiple black actresses received Best Supporting      Actress nominations;

     First time that multiple black actresses received nominations for  the same film.

 

 

And then there's Oprah Winfrey herself:

http://en.wikipedia.org/wiki/List_of_awards_and_nominations_received_by_Oprah_Winfrey

Blackberry 1177 pts

@Betty Boo @NATruthstudent I think Betty was referring to Academy Awards specifically and not awards and accolades generally.

Betty Boo 259 pts

 Blackberry  Betty  NATruthstudent That is correct, I am very aware of all the nominations,I am talking about when they finally get around to rewarding actors with the highest honor, the Oscar.

Darknlovely12 119 pts

I am never, never, never, never, never, never, ever going to see that movie. It was funny though yesterday when Billy Crystal said that after he saw the Help he wanted to hug every black woman he saw when he walked out his door but then he had to drive 45 minutes away...lol.

sparel 903 pts

 Darknlovely12 LMAO!!! thank you for that laugh 

ann4950 732 pts

 Darknlovely12

I thought to myself, "Geez, Billy not one bw in your neighborhood?" 

This comment has been deleted
thedame 44 pts

 reem11Don't waste you dollar, this was a collosal waste of my free movie tickets.  No added value, just another GWH flick (Great White Hope).

 

 
pollyb 10 pts

I loved The Help.  See I grew up in a world where my mother was a maid (now called domestic).  She worked for a family and then the daughter's family until she was too old and sick to work anymore.  She made $25 a week!  She took the bus every morning to work in her maid's uniform.  Her off days were Thursday and Sunday.  When we went to her job, we had to go to the back door.  However, the Frougs and Mulmeds were considered nice white folks.  They gave us candy and their used clothes.  On occasion, we got the left overs. We liked at all except for the Passover food!  

The Help tells the truth about many women who worked a different kind of slavery.  There were many moms who raised white children and took care of white families while Black children were left to figure things out on their own.  I am glad this story was told and I will always be proud of my mom who did what she had to do to get us to be successful Black women!

 

 

introvertedwanderer 1056 pts

My issue with this movie primarily was that I just didn't think that it deserved all the hype it got.  Movies like this have been done on Lifetime for goodness sake, and were much better in my opinion, than this movie.  That series that I've mentioned before "I'll Fly Away" puts this movie to shame, showing the complexities and nuances of the experience a black domestic worker would have had during that time period, and it was shown from her perspective.   It not only showed her experiences working for her employer, a white family, but also her own familial life.

 

However, I don't think that The Help reinforces the mammy stereotype.  If anything, the characters truly disliked having to work for the employers they had, and at some points, when they worked up enough nerve, spoke up to their employers about how awful they were.

 

More than anything else, I thought this movie was more so about a woman's place in society than about race relations.

NATruthstudent 1508 pts

 ForestElfQueen

 I remember that movie! 

 

Another good one was "Disclosure".

ElfeV 7093 pts

 NATruthstudent  LOL...omg, my mom would drag me and/or dad to all of those movies like Disclosure, The Firm, The Game, the Hand that Rocks the Cradle, Sleeping with the Enemy, Single White Female, Basic Instinct, Indecent Proposal etc.

NATruthstudent 1508 pts

 ForestElfQueen

 The only one of those I haven't seen is "The Game".  And I loved each of them!  But "Hand That Rocks The Cradle" was truly scary...

Law Wanxi 5812 pts

"bunny-boiling PR pro."

 

Ahhhhhh, bunny-boiling; that fuels a plethora of freight-lift fantasies like nothing else can.

 

Ummmm; hehhehhehhehheh......

Law Wanxi 5812 pts

Sorry; "freight elevator".  Being, erm, overwrought tends to throw me back into my native Britglish.  

valeriesmith15 136 pts

I feel acting is acting and I hope that more black actresses can have more diverse parts. However it costs money.  I have to agree, black people can't get upset about black women playing the maid, but then on the other hand, if they play  more diverse roles, we get annoyed.  I also saw the interview with  Tavis Smiley and I feel there is too much telling grown hard black women what to do, they are entitled to make their own choices on acting. There is no complaint about Tyler Perry. It is a case of damned if you do and damned if you don't.  There is not a problem with black men playing big fat mamas, Martin Lawrence and Eddie Murphy to name but a few, plus millions of box office money was made.  No-one in the black community complained about that ever.

Blackberry 1177 pts

@valeriesmith15 Agreed. There are few black roles...are black actresses suppose to not take what little work they are offered out of protest or are they do take the roles and break barriers slowly. It's a dilemma ....but I do give Eddie Murphy (especially the ones where there is drag) and Tyler Perry films a wide berth.

Infinity88 517 pts

 valeriesmith15 I think the difference with Tyler Perry, Eddie Murphy and Martin Lawrence is that they are clearly comedians and it's not real.  I think the help was a bit more serious.... I haven't seen it but based on the feedback it seems that way.  

Brice Cameron 2083 pts

@valeriesmith15 Actually, I have heard the complaint before from black men that too many black actors are asked to dress in drag. I think it was Dave Chapelle (who is always conscious about these things) who talked about refusing to do it on his show. Many black men complain that there is a racial component to it because white actors are not asked to wear dresses in the same numbers, but producers and directors ask enough black actors to do it that they feel there is something amiss.

cns 705 pts

 

I would like to ask say is that we should concentrate on are the magnificent performances of Ms. Spencer and Ms. Davis. That’s if you saw the movie. These women won their awards because of their moving portrayal of the characters. I mentioned this on another blog, that if you actually seen the movie you will see the strong willed black women who did everything they could to support and give their families a better life. When watching the movie I looked past their occupation and saw that these women as human with hopes and dreams of a better life for their children. These black women had a love for literature, they had a sense of humor during those tumultuous times (hence the chocolate pie). They long for higher education for the children. What I find interesting is that in earlier promotion of the movie the white female characters of the movie were being heavily played up (Emma Stone, Bryce Dallas Howard, Allison Janney, and Sissy Spacek). They all did a great job, but Viola and Octavia stole the movie, but not because of the occupations but because of their amazing acting ability. I went in very closed minded and was prepared to hate this movie but enjoyed it. I was actually ashamed that I let others influence me. We are all entitled to our own opinion, but I think you should see a movie before giving it a negative review. And if you don’t want to see the movie, that is okay as well.

sqwardlaw 21 pts

@cns I saw this movie as testament to what my grandmothers and aunts living here in the South went through to put my sisters,cousins and myself through the wonderful colleges and get us to the great careers we have now and what we are giving our children today and that does need to be recognized and applauded and appreciated and showcased,even if there is some comedy thrown in to "entertain" the masses. I loved the movie and was reminded of many stories these wonderful women told me growing up and how I have gotten to where I am in life,not having to work that same way.

Sandbunny 9 pts

 sqwardlaw  cns I second this emotion.

 

This film was true to the stories my grandmother told me about working for white families -- right down the allies she made and the moment she was able to breakaway for something better.

 

I too was annoyed at first and ended up seeing it unexpectedly -- and I've never been so pleased to be so wrong about a movie.

 

Octavia, Viola and the caucasian sisters made me proud, surprisingly.

 

It's a good movie.

Jay from Philly 679 pts

There was a Black female attorney named Eunice Carter who worked in Woman's Court in  NYC back in the early 1930s. She noticed that all the prostitutes used the same lawyer and the same bail bondsman.She relayed the info to NY DA Thomas Dewey, who surprisingly didn't brush her off but gave her the go-ahead to keep looking. She ended up following the money trail all the way on up to Lucky Luciano himself which ultimately led to his arrest, prosecution,  and eventual deportation to Naples, Italy.  Surprisingly, no one has ever made a movie about Eunice Carter. 1930s art-deco New York, the sordid world of prostitution, the mob--it has the chance of being one hell of a bio pic. I'm thinking Zoe Saldana as Eunice Carter, Kevin Spacey as Thomas Dewey, and maybe Christian Bale as Lucky Luciano. It could be a great period piece and the clothes alone would be costume porn.

Blackberry 1177 pts

@Jay from Philly Oddly I know alot aout lucky luciano, but next to nothing about Eunice Carter....I'll have to learn more.

knockoutchick 120 pts

 Jay from Philly 

Great Story!

But what about Stephanie St. Clair AKA Madame Queen, a black French woman who ran the numbers racket in Harlem in the early 1900s. She did battle with the Italian mob and they attempted to kill her on a few occasions. Her protector and muscle, the legendary Bumpy Johnson eventually gave into the Italians and paid their "tax".  But Madame Queen stubbornly refused until she was the "Last Man Standing" and hunted by the mob. At that time numbers in Harlem was such a lucrative criminal enterprise everyone wanted a cut in the business even the Police, there were not attempts to curb crime in Harlem but rather everyone proftted from it. St. Clair was fiercely independent and able to run her racket with wits alone and she did not want to be under Italian control. She eventually had to deal with the Italian mob. But in the end she outlived her main enemies in the Luchese and other Five Families of the Mafia after they became the focus of an aggressive New York Prosector and Federal agents. When Dutch Schultz was shot and lay dying in the hospital, one of the last notes he received was from St. Clair and it read "As ye sow, so shall ye reap". The headline topped papers around the country.

 

A lone BW against the mob in the early 1900's and nobody talks about it and few know about it, eventhough it was headline news!

 

BTW, Eunice Carter worked for Prosector Dewey who worked to curb organized crime and Dutch Schultz had put a hit on him.

Jay from Philly 679 pts

 knockoutchick Yes, Luciano had the hit put on Schultz (aka Arthur Flugenheimer) because he knew the kind of heat that would come down because of a hit on Dewey. There was a legendary Black number kingpin in West Philly back in the 1980s named Roland Bartlett who actually had his runners covered in a real pension plan, but since he was a man I guess it doesn't really apply here.

dani-BBW 1787 pts

Funny, on Friday, I was talking with an older (past retirement age) WM co-worker (who comes from old money) about the Oscars. I mentioned I had not seen the movies Incredibly Loud or the Help because I don’t like depressing movies centered around tragedy and suffering. He looked at me like I was crazy and loudly declared, “Oh the Help was not depressing, at all. IT WAS SO GOOD! Not depressing at all. Oh my, it was just fantastic.” I kept trying to explain without going into race but he just did not get it.

 

introvertedwanderer 1056 pts

 dani-BBW  I think that this reaction is due in part to the fact that The Help came off as a light comedy. For a movie about race relations and a woman's place in society, it really was a light-hearted comedy, with Octavia Spencer pretty much playing a stereotype, and the other characters coming off like one-dimensional cartoonish caricatures.

NATruthstudent 1508 pts

My take:

 

I've seen the movie and read the book, neither of which I had heard about until a good friend, a BW living in L.A. and 35-year Union member, recommended them to me.  Based on her recommendation, I ordered both from Amazon.  I watched the movie first, then read the book, because I've learned that it's almost always better that way.  Such was the case here.

 

First, both the movie and the book are historically inaccurate in that they don't show the depth of abuse, callous disregard, indifference, and depravity of treatment many AA domestics were subjected to.  Some of that was hinted at, though both stayed completely away from the certain topics like rape.  Even the treatment of domestics as non-entities was glossed over and given short shrift.  I thought the movie was more about the efforts of the young WW to tell the stories in spite of the amosphere of the time, whereas the book told the stories from the perspectives of all the main characters, inaccurate as it was from a historical or even sociological perspective.

 

That being said, the fact that the book and movie are being talked about is a good thing, one that perhaps would not have happened had they not been put out there.  The discussion is healthy for the most part, in that it promotes the airing of grievances and the disemination of truth on the matter, which might not be taking place otherwise.

 

Also consider that the movie, especially with the Oscar nominations, was energized the struggle for union rights among domestic workers.  That is a very good thing.

 

http://www.lefteyeonbooks.com/2011/09/a-domestic-workers-perspective-on-the-help/

 

 http://www.domesticworkersunited.blogspot.com/

 

http://uncpressblog.com/2011/08/24/historians-on-the-help-vanessa-may-and-rebecca-sharpless-respond/

 

http://fromthoughtsintowords.blogspot.com/2012/02/salvaging-help-film-worth-watching.html

 

It has always been my belief that when postions become engraved in stone around opposite sides of issues, there is a need to consider all sides of those issues.  Some will insist that this isn't true, but it's been my experience and observation that this is just a means of avoiding uncomfortable details and truths.

 

Make of this what you will, but please don't take a stand based on incomplete information and awareness.  There is, in Truth, a silver lining here.

Patricia Kayden 1673 pts

 NATruthstudent Well if THE HELP is leading to current domestic worker rights, I'll give it a pass.  No doubt it's a great movie.  It's done very well.  Would White audiences swoon over a movie featuring a BW who wasn't a maid?  Doubt it.  There are many BW who I would love to see a film about -- not sure if such movies would draw all the accolades heaped on THE HELP though.

NATruthstudent 1508 pts

 Patricia Kayden

 I can't seem to find any statistics on the topic, but some of the films I've liked with BW as leads are Vampire in Brooklyn, Waiting to Exhale, Miss Evers' Boys, The Bodyguard, The Josephine Baker Story, Introducing Dorothy Dandridge, Lady Sings The Blues, Mahogany, and Passion Fish, not to mention the several films with Pam Grier or Whoopie Goldberg as  lead.  And there's the one Oprah did, can't remember the name of it but Danny Glover was in it, about the ghost of a girl come to haunt a family. 

 

Unfortunately, I couldn't find anything more recent, and that's a shame.

 

Among those I haven't seen, I think the most recent is Akila and the Bee.  I also haven't yet seen The Rosa Parks Story, but it's definitely on my list.

 

OTOH, I found a few sites about up-and-coming BW film makers that looks interesting:

 

http://www.sistersincinema.com/filmmakers/index.html

 

http://www.clutchmagonline.com/2011/08/10-black-women-making-moves-in-film/

 

http://filmclique.com/2011/ten-black-female-film-directors-you-should-know/

 

http://theurbandaily.com/movies/rebeccatheodorevachon/ava-duvernay-sundance-best-director-win/

 

And one claiming to list the 5 best BW as lead movies:

 

http://www.pajiba.com/seriously_random_lists/srl-the-top-five-films-featuring-a-black-female-in-a-leading-role.php

 

 

VintageNarcissa 3151 pts

 NATruthstudent Is the movie you can't remember Eve's Bayou?

NATruthstudent 1508 pts

 VintageNarcissa

 No, Narcissa, but that's anothe r good one I thoroughly enjoyed.  It finally came to me what the name of the movie was: "Beloved".

LuMaTsao 146 pts

SIGH friggin hollywood. We need more indie film makers with budget and advertisements. =)

MercedesHasLeftTheBuilding 1068 pts

i did not see "the help"....too much of a throwback.i mean come on, it's 2012....

nyaw 189 pts

 MDNA2 I love history, any kind of history, the good the ugly. If a movie was made on it if I am able to see I would. 2012 does not mean anything, the same thing that was happening in America some 70years ago is happening in places today, in places closes to America than you may know, like Haiti!! So 2012 what!! People please do not harden your hearts because when movies like these do not come out, we forget how it feels. That so does not mean that Hollywood is right to only give BW roles with substance where we are inferior.

AmourelleCorley 141 pts

This is somewhat unrelated, but who is that hot guy octavia spencer was with at the oscars?

sqwardlaw 21 pts

@AmourelleCorley That guy was her agent!

AmourelleCorley 141 pts

 sqwardlaw  AmourelleCorley Oh okay thank you. He was super cute

knockoutchick 120 pts

Anyone know name of the interesting independent film made in early 2000s about the young daughter of a black maid who works for wealthy white New York family. Daughter helps lowlife thugs kidnap and torture Father of household for ransom. Later revealed father has been abusing/ sleeping with teen daughter for years unbeknowst to maid mother. Dark comedy/satire. Beautiful young black actress.

Blackberry 1177 pts

Hey I'm on my iPad cant view the video, but I'm guessing it was her interview from The Colbert Report that you posted. ( http://www.colbertnation.com/the-colbert-report-videos/405561/january-09-2012/melissa-harris-perry ) I liked her point about how the perception of our country changes when you change the center of the experience. So when you make BWthe central narrative in American history it's apparent how crappy the past has been to women of color. Making all the more repugnant that the Help was made and then honored during black history month! This analysis (changing the central narrative) can be done with any group or minority. The point to these studies/books in college is to bring about a truer and fuller understanding of the American story and stop treating "the history of minorities" as attendant to American (white) history. The Help does not help in anyway.... Stay on your soap box.

dasdbobb 1383 pts

Chris, we're all goung to get together and gett you a soap box with a kitchen on it. That way you don't have to leave ot so often. On a serious note, Hollywood has issues. Half of them think what they do shoud be this way, half think it should be the other way, and half of them don't have any idea which way to go. AND half of those above don't care as the only thing that matters to them is $$$$ and reviews. And some of the actors are so cranky and stubborn, they remind me ao a grizzley bear with hemorrhoids trying to pass pine cones. Not all mind you, just the "prima donas" of the acting world. I agree with Chris that Hollywood needs to get thier act together. This sterotyping of AA, American Indians, Asians, Latinos has got to stop in this country or the addage "all people are created equal" WILL never be realized. We have to work together to put an end to this kind of thinking. Where do we start?

knockoutchick 120 pts

At one point I did have issue with "The Help", but then I saw the movie and was swayed by the great performances. Like other posters have said, it is not the "The Help" itself but rather the only stories Hollywood and the larger public has interest in are ones in which black women are subservient. The sad truth is we can cry, scream, and whine all we want this will never change until WE start making films about ourselves. Let me be clear. At this time, NO MAJOR STUDIO WILL FUND A FILM with a black female romantic or dramatic lead. White people are the majority of movie goers and they do not want to see a film about black womens lives, sorry. Further, even the black males with clout in Hollywood are not creating films with black female leads. The few writers or producers who are creating stories about black women are black women themselves. Maybe that is logical as the white filmmakers are creating films that reflect themselves. Also we should stop seeking and asking Hollywood to craft our stories because even when they do we are not happy with the result. We may see a few black women as partners to a white male lead. We can only wish for them not to be fat and ugly as that would take shine from the desired white ingenue.

 

Regarding the issue of black women as domestics, if any of you were to walk into Central Park during mid-day you would think you have stepped back in time. The Park and all streets surrounding it are filled with black women caring for white children. These women are mostly of Caribbean descent for the last 20 years but nothing has changed for middle class whites. Therefore many poorer whites dream of the same lifestyle. The only reason it seems odd to other black folks is that in Calitfornia and other parts of the country domestic work and maids have been taken over by Mexicans and Central Americans. But in NY, CT, Westchester and NJ, the wealthy for the most part have black Caribbean maids and nannies. And interestingly enough, even when the maid might be Mexican , the family will still choose a Caribbean nanny.

 

So even today the black nanny is still a real part of our story and our lives as black women, but so is the black Executive and the FLOTUS.

 

My .02 would be the best route to get an entertaining saleable film made with a black women lead, would be some sort of action film, as running, shooting and car chases travel and sell well domestically and Internationally. A black spy, CIA agent, super hero Alien...something like that with explosions to keep the men interested and a tight suit. As for a film about Bessie Coleman I think I will be ash and bone before that happens.

Blackberry 1177 pts

@knockoutchick I agree with your point about servants/nannies. But as far as women of color leads there are 2-3 exceptions. There was whoopi Goldberg in corina, corina....romantics sort of. She still was "the help" and she wasn't "sexy" in that movie. Whitney Houston in the bodyguard.....but that was a one off and wouldn't have happened without all the work by Kevin Costner. It was at the height of her fame internationally, but even that wasn't enough to break the barrier for female leads. Paula Patton is doing fairly well. She is early in her career so we'll see if she is marketed as racially ambiguous or as AA. Aside from them all we have is Halle Berry, but as you said...she mostly does action (James bond, sword fish, cat woman etc) there was Bulworth with Warren Beatty (?) but that was a kind of cult hit.

josie3144 128 pts

well..both of the women in the movie had an interview with Tavis Smiley...they said that they have received a lot of flack from the AA community...they said that most of the scripts they receive from AA are ghetto themed with the characters talking Ebonics(I hate this word)....the other scripts given to them evidently had more substance...and they said we should be focused more on the execution of a story...I just didn't want to see the same kind of thing....but I guess the story must be told...by the way  Viola Davis..decide to go wig less..I saw comments about how she looks...everyone said she looks better that way...she had a short Afro...embrace it people...if you wish....